![ram leela story ram leela story](https://data1.ibtimes.co.in/en/full/430996/ram-leela.jpg)
Another outfit contrasts soft blues and greens with an elegant tea pink hue. For example, Deepika’s outfit for the Ishquiyan Dishquiyan song pairs a navy cotton lehenga with a colourful patchwork blouse and a hot pink silk dupatta. One of the best things about the costumes in Ram-Leela was the way Anju Modi threw together contrasting colours and textures. This picture has it all - the layered lehenga, the patchwork blouse, popping colours and a sophisticated mix and match scheme. There is a further contrasting layer underneath while a slit in the top layer showcases the pretty print of the second layer - poetry in motion. The details aren’t visible in this picture but the heavily-embroidered top layer of this lehenga has a longer printed under-layer. Layering can enhance this, and Anju Modi shows how layers can be used to add texture and colour as well as volume.
![ram leela story ram leela story](https://desklib.com/media/images/gv/99447ce4c2244eb4935ae0a3b4f5a69c.jpg)
The best lehengas or ghagras are all about volume. Check out designers like Fahad Hussayn and Sadaf Malaterre who incorporated cotton outfits in their PFDC L’Oreal Bridal week collections. Pakistanis aiming to get the look should aim to use lightweight handloom cotton, which is most likely to give the desired effect. Anju Modi pairs cotton with silk borders, silver work printing, embroidery and more. Pakistanis tend not to consider cotton as a formal fabric but Indian designers have long embraced it. It is traditionally hand-woven and holds its structure well. Mulmul has a more open texture than lawn and falls very differently. Designer Anju Modi has mostly used a cotton gauze mulmul for the lehengas, a fabric that is difficult to find in Pakistan. You can’t watch Ram-Leela and not be seduced by the fabulous drape of the outfits.
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Leela’s mustard yellow outfit in her opening scene, the classic red and black of her Holi outfit and the stunning red lehenga she wears for the Nagada song are all striking examples of how to wear colour, and wear it well. The film is awash with flamboyant colour schemes. The delicious reds, oranges and pinks of Leela’s wardrobe popped on screen. Sanjay Leela Bhansali’s love of vibrant colours is infectious. Get inspired and use mirrors as an unusual accent for formal wear this wedding season. A subtle mirror edging to an off-white blouse works just as well as mirror work enhancing colourful embroidery. The costumes in Ram-Leela use mirror work in a variety of different ways.
![ram leela story ram leela story](https://cdn.dnaindia.com/sites/default/files/styles/full/public/1919728.jpg)
The play of colours, textures and embroidery was sublime and this is a technique that should translate well to kameezes. Dabka, zari and mirror work were used on different patches. Banarsi fabrics in various colours were placed against silk and cotton.
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Sadaf Malaterre’s lehengas had a certain Ram Leela touch although the embroidery and detailing was missing. Expect to see multiple versions of the lehenga-choli at every wedding in the foreseeable future. Our tailors, bodies and sensibilities may not be able to carry off the sexy, backless cholis Leela wears in the movie, but with less-revealing blouses, this is a trend that is going to have wings. The decision to dress Deepika Padukone (Leela) entirely in ghagra-cholis may have been an exercise in authenticity, but as a result, the signature Gujrati costume has never seemed more desirable.
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Designer Anju Modi has created some wonderful costumes and the film is full of style inspiration for fashion lovers. Ram-Leela may have its faults as a film, but style-wise it’s a winner.